The Sunday Times - Shaping Ireland at the National Gallery

The Sunday Times
CULTURE

https://www.thetimes.co.uk/edition/ireland/review-shaping-ireland-at-the-national-gallery-of-ireland-pgwngzscq

Review by Cristin Leech

Review: Shaping Ireland at the National Gallery of Ireland
Visitors to the NGI’s show will find plenty to admire in landscapes past and presentRead More....

Big Country - Review - Shaping Ireland- Irish Times | 27th April 2019 | National Gallery of Ireland


Irish Times Online Big Country, Aidan Dunne, Irish Times 27th April 2019
See PDF:
Big Country, Aidan Dunne, Irish Times 27th April 2019 -
See review detail about
Cogan's Shed

IrishTimes-ShapingIreland2019-1IrishTimes-Shaping Ireland-2019
Irish TImes Shaping Ireland-2019 excerptRead More....

Shaping Ireland: Landscapes in Irish Art | National Gallery of Ireland

Shaping Ireland: Landscapes in Irish Art
At The National Gallery of Ireland
NGI Website : More Info

First showing of From Cogan’s Shed (2004). Oil on Linen 183 x 214 cm.
Purchased by the National Gallery of Ireland in 2018

FromCogansShed-sm

From Cogan’s Shed . 2004. Oil on Linen 183 x 214 cm | Collection of the National Gallery of Ireland,


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The Truth of the encounter | Interview | VAN

The Truth of the encounter Interview with Joanne Laws, Visual Arts Newsletter, March-April 2019

Nick-Miller-Interview-VAN-March-19Read More....

FT Weekend Critics choice


Rootless | new paintings
A show of new large scale still life paintings at
Art Space Gallery, London from 22nd February - 29th March 2019
New hard back publication with an essay by Martin Gayford
View Catalogue online

FT-Rootless-16-2-19Read More....

Rootless | new paintings | Art Space Gallery, London

Rootless | new paintings
A show of new large scale still life paintings at
Art Space Gallery, London from 22nd February - 29th March 2019

New hard back publication with an essay by Martin Gayford
View Catalogue online




Three vessels : Interior I | 2018 | oil on linen | 214 x 183 cm



With the support of:



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All images © Nick Miller